special editions + BOOKS
fatal issue #1
fatal issue #1
an independent
self published printed book
self published printed book
FATAL ISSUE #1
limited edition - remastered *
sold out
€
featuring six muses
spanning 44 pages
hardcover silk-matt
20,5 x 27 cm / 8,07 x 10,62 in.
high quality photo paper
inapa galaxi art samt 170 g/m²
printed in germany
delivery worldwide
FATAL ISSUE #1
I have been dreaming of creating a book of my photographs for a long time. When I walked into a bookstore and looked through photo albums, I always enjoyed the stories and atmosphere that were present on the pages of each one.
However, to create a book, I had to accumulate material that was worthy of printing, and I had been working on it for many years. I was gaining experience to make it possible.
My travels helped me choose hotels as a place for creativity and inspiration to create the image of a la femme fatale woman that I wanted to capture in my works. I found hotels to be perfect for showcasing the essence of a femme fatale, with their cinematic and enticing atmosphere. They provided a unique mood that transformed my models into actresses, letting them take on roles of seduction, power, daring, and wildness.
Each city revealed this image in its own way, giving it individual artistic elements. Hotels have become not only a place to create a photograph, but also a place to experience it as a life experience.
When I first decided to shoot naked models, it was something new and exciting for me, as I wanted to convey the beauty of the naked body in such a way that it would evoke a passion close to falling in love. I wanted my photos not to fall into vulgarity or obscenity, but to convey the beauty of the naked body in its essence.
My book became a kind of chronicle of my creative searches. I decided to create and publish it myself to go through all the stages of book creation independently.
This limited edition book comprises 44 pages featuring the photographic results of shooting with six muses. Only 250 copies are available, making it a unique addition to any collection. It's the first volume in a series titled "Fatal Issues." Currently, I'm in the process of working on the next volume.
I am grateful to everyone who helped me create it, including models, hotel staff, friends, and colleagues.
I hope that this book will not only be a beautiful edition, but also a useful resource for other photographers and art lovers.
MAY 14th 2025
SEXPERIMENTAL
SEXPERIMENTAL
ORIGINAL INTIMATE SEDUCTIVE
Sexperimental began as a need to make something real.
Something physical. Something that exists beyond the screen.
A personal form of storytelling—handcrafted, imperfect, shaped by instinct and interruption. Each copy carries its own rhythm.
It started in hotel rooms. Anonymous, temporary spaces that turned into studios. Cinematic backdrops where ideas were tested, not protected.
That energy lives inside the book.
Hotel stationery, handwritten notes, hidden fragments—traces of places where something happened.
There’s no single way to experience Sexperimental.
It’s meant to be touched, explored, felt. Paper, ink, weight—all part of the story.
Each spread is a scene.
Each reader becomes a collaborator.
No two copies are ever the same.
Something physical. Something that exists beyond the screen.
A personal form of storytelling—handcrafted, imperfect, shaped by instinct and interruption. Each copy carries its own rhythm.
It started in hotel rooms. Anonymous, temporary spaces that turned into studios. Cinematic backdrops where ideas were tested, not protected.
That energy lives inside the book.
Hotel stationery, handwritten notes, hidden fragments—traces of places where something happened.
There’s no single way to experience Sexperimental.
It’s meant to be touched, explored, felt. Paper, ink, weight—all part of the story.
Each spread is a scene.
Each reader becomes a collaborator.
No two copies are ever the same.
MAY 5th 2026
SEXPERIMENTAL
SEXPERIMENTAL
This time it’s in a gallery in Le Marais, Paris.
Not just for one night — a full week.
The space keeps shifting, changing a bit every day…
Almost like it’s rewriting itself while you’re inside it.
At the center — ten Sexperimental books.
Same ones, but not really the same.
I went back into them. Reworked, remastered, questioned
everything again — through what I’ve been living lately.
It’s not about “showing” them.
It’s more like stepping into what’s behind them.
The thoughts, the doubts, the impulses, the emotions —
that moment where something is still forming and doesn’t
fully make sense yet.
The books didn’t become “better”.
They just went deeper.
Less about clarity, more about chasing something I still
don’t fully know how to name.
I didn’t try to clean it up or simplify it.
If anything, I went further — more layers, more contrast,
more shadow, more tension.
It’s not just immersion anymore.
It’s this constant movement — being fully inside it…
and then suddenly stepping back and seeing it from outside.
And both states kind of exist at the same time.
The language expanded too.
Images, text, fragments, details… everything blending into one flow.
And the women are the center of everything. The starting point.
Muses, presence, tension — everything comes from them.
And femme fatale… it’s not about how it looks. It’s something you feel.
I’m not trying to explain anything here.
It’s more about creating a space you can get lost in for a moment…
and maybe recognize something of yourself along the way.
It feels a bit fictional.
But it’s all built from memory, desire, projection.
Something you don’t just look at — you step into.
It was never just a book.
More like a doorway. Into a certain state.
And at the center of it — still the same, just deeper:
falling in love with life.
Not just for one night — a full week.
The space keeps shifting, changing a bit every day…
Almost like it’s rewriting itself while you’re inside it.
At the center — ten Sexperimental books.
Same ones, but not really the same.
I went back into them. Reworked, remastered, questioned
everything again — through what I’ve been living lately.
It’s not about “showing” them.
It’s more like stepping into what’s behind them.
The thoughts, the doubts, the impulses, the emotions —
that moment where something is still forming and doesn’t
fully make sense yet.
The books didn’t become “better”.
They just went deeper.
Less about clarity, more about chasing something I still
don’t fully know how to name.
I didn’t try to clean it up or simplify it.
If anything, I went further — more layers, more contrast,
more shadow, more tension.
It’s not just immersion anymore.
It’s this constant movement — being fully inside it…
and then suddenly stepping back and seeing it from outside.
And both states kind of exist at the same time.
The language expanded too.
Images, text, fragments, details… everything blending into one flow.
And the women are the center of everything. The starting point.
Muses, presence, tension — everything comes from them.
And femme fatale… it’s not about how it looks. It’s something you feel.
I’m not trying to explain anything here.
It’s more about creating a space you can get lost in for a moment…
and maybe recognize something of yourself along the way.
It feels a bit fictional.
But it’s all built from memory, desire, projection.
Something you don’t just look at — you step into.
It was never just a book.
More like a doorway. Into a certain state.
And at the center of it — still the same, just deeper:
falling in love with life.
MAY 5th 2026
curious ?
not for everyone — just the ones paying attention
signed and limited editions
every set is one-of-a-kind
and will never be repeated
and will never be repeated
sealed in a envelope
includes a private message
hand-signed
includes a private message
hand-signed
fatal issue #1
sexperimental
sexperimental